An altar is only alive when it’s tended. Left to gather dust, it becomes a hollow space — a place of resentment rather than reverence. My lunar routine isn’t about worshiping the moon, but about keeping time: a rhythm of tending, charging, stripping, and cleansing that keeps my practice — and my spirits — fed.

Growing up among farmers and country folk, I learned early on that the seasons don’t start with a date on the calendar—they unfold gradually, shaped by the land itself. To me, the Solstices and Equinoxes aren’t the beginning of a season, but its peak, when the energy of that time is fullest. I honor these moments not as transitions, but as culminations of what’s already in motion, drawing on the power of the season at its height to guide my practice and magic.

For a long time, I used the term 'Traditional Witchcraft' to describe my practice, but over time, I found it no longer fit. While my craft shares some structural elements with Traditional Witchcraft, its true foundation lies in historical magic—early grimoires, folklore, and the practices of cunning folk. My goal is to honor those who came before me, not through modern interpretations, but by reconstructing my craft from historical sources. That’s why I now call it 'Old-Style Witchcraft'—a term that better reflects my approach, rooted in authenticity and tradition without being bound to contemporary frameworks.

When I set out to reconstruct my family’s magical tradition, I quickly realised that English-language resources were scarce—and often unreliable. Translations carried biases, academic sources simplified complex traditions, and folklore lost its richness when stripped of its original linguistic and cultural context. Learning the languages of my practice wasn’t just about expanding my research; it became essential to preserving the integrity of my craft. By engaging with primary sources directly, I uncovered layers of meaning, symbolism, and nuance that would have otherwise been lost. In doing so, I not only deepened my connection to my ancestors and their magic but also ensured that my practice was built on authenticity rather than assumption.

For 25 years, I’ve walked the path of a practicing witch, shaping my craft through folklore, folk magic, and personal experience. While I appreciate the structure of Traditional Witchcraft, I hesitate to claim the label outright. Too often, it comes with assumptions—of strict adherence to specific traditions, of working with the Witch Father or the Witch’s Devil, of following a path that isn’t mine. My magic is rooted in history but ultimately personal, and I’ve learned that labels, while useful, should never define me more than my own practice does.

Magic is not just about what we do—it’s also about what we do it with. A year ago, I began rewilding my witchcraft, shifting away from mass-produced supplies and returning to historically appropriate materials and crafting methods. This meant trading store-bought candles for hand-dipped beeswax, synthetic cords for hand-spun thread, and glass bowls for earthenware and wood. In doing so, I found a deeper connection to my magical ancestors, a richer engagement with my craft, and a renewed sense of authenticity in my spellwork.

I’ve always loved cauldrons, but when it came to making magical brews, I found myself stuck. My kettles were claimed for mundane use, and my food-safe cauldrons didn’t handle water well. That’s when I introduced a brewing pot into my practice—a ceramic-coated cast iron pot that lets me gently heat oils, waters, and herbs right on my altar. This small change transformed my magic, allowing me to create intentional brews, deepen my connection to my tools, and stay immersed in ritual from start to finish. If you’ve ever struggled to incorporate brewing into your craft, this might be the missing piece.

What began as an effort to stretch meals further, learn to garden, and replace store-bought cleaners with homemade alternatives slowly spilled over into my magical life. The more I worked with my hands—kneading dough, pouring candles, infusing oils—the more I realized I didn’t need to buy my magic. I could make it. Bit by bit, my practice reshaped itself, shifting away from accumulation and toward creation, until every item I nearly added to my cart made me think: I can make that.

My journey into magic began over twenty-five years ago within what I would later recognize as my family’s cunning-tradition. A handful of hand-me-down spells and charms formed the foundation of my early practice, shaping a path that would evolve through folklore, history, and spirit-work. Today, I walk the path of Black Book Traditional Magic—an animistic, historically informed approach to witchcraft rooted in ancestral guidance. This blog is where I chronicle that journey, weaving together personal reflections, magical musings, and the living practice of a modern folkloric witch.